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★4.1(5)

This is tablature — fret positions rather than chord names. Wide lines scroll sideways on their own, so the page never does.

same beginning as figure #2

D D/A Gsus4/B Gsus4/D Bb Bb/F C C/G

A legal precedent could set us straight but no one's brought up

D D/A F# F#/C# G F# G

suit And I'm assuming that if they did the point would still be moot

D Csus2 G/B G E E

Are you joking?___________ I'm just fine

G G/F# A A/E [to FIGURE #3]

You take Nanci, for me Loretta's fine

FIGURE #3

D D/A F# F#/C# C C B7 B7/F#

^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '

     e-----2-2-----2-2-----------------|---------------------2-2-----2-2-|
     b-----3-3-----3-3-----2-2-----2-2-|-----1-1-----1-1-----0-0-----0-0-|
     g-----2-2-----2-2-----3-3-----3-3-|-----0-0-----0-0-----2-2-----2-2-|
     D-0-------------------4-4-----4-4-|-----2-2-----2-2-----1-1-----1-1-|
     A---------0---------------4-------|-3-------3-------2---------------|
     E-----------------2---------------|-------------------------2-------|

No I've changed my mind

G G/F# A A/E D Dsus4 D Dsus4

^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '

     e---------------------------------|-----2-2---3-2-------2-2---3-2---|
     b-----0-0-----0-0-----2-2-----2-2-|-----3-3-----3-------3-3-----3---|
     g-----0-0-----0-0-----2-2-----2-2-|-----2-2-----2-------2-2-----2---|
     D-----0-0-----0-0-----2-2-----2-2-|-0---------------0---------------|
     A-----------------0---------------|---------------------------------|
     E-3-------2---------------0-------|---------------------------------|

I'll take Nanci for you Loretta's fine

BRIDGE:

C C/G C C/G G G/B G Gmaj7 G6

^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '

     e---------------------------------|-----------------3-2---0---------|
     b-----1-1-----1-1-----1-1-----1-1-|-----0-0-----0-0-0-----0---3-----|
     g-----0-0-----0-0-----0-0-----0-0-|-----0-0-----0-0-0-----0-------0-|
     D-----2-2-----2-2-----2-2-----2-2-|-----0-0-----0-0-0---------------|
     A-3---------------3---------------|---------2-------2---------------|
     E---------3---------------3-------|-3---------------3---------------|

And still we walk without quite seeing things

C C/G C C/G G G/B G

^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '

     e---------------------------------|---------------------------------|
     b-----1-1-----1-1-----1-1-----1-1-|-----0-0-----0-0-0-1-3-1---0-----|
     g-----0-0-----0-0-----0-0-----0-0-|-----0-0-----0-0-0---------------|
     D-----2-2-----2-2-----2-2-----2-2-|-----0-0-----0-0-0---------------|
     A-3---------------3---------------|---------2-------2---------------|
     E---------3---------------3-------|-3---------------3---------------|

And I'll admit there's not that much to see And

Em Em(maj7) Em7 A A/E

^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '

     e-0---------------0---------------|-0-------------------------------|
     b-0---------------0---------------|-0-------------------2-2-----2-2-|
     g-0---------------0---------------|-0-------------------2-2-----2-2-|
     D-2---------------1---------------|-0-------------------2-2-----2-2-|
     A-2---------------2---------------|-2---------------0---------------|
     E-0---------------0---------------|-0-----------------------0-------|

I will follow through and expect that you would follow

FIGURE #1 (one time)

...suit

repeat FIGURE #2, except with FIGURE #3 ending:

I can't believe you, you bend your words like Uri Geller's spoons

Not quite safe here, when every judgment seems to smack of doom

Are you okay?______ I'm just fine

You take Nanci, for me Loretta's fine

No I've changed my mind, I'll take Nanci, for you Loretta's...

[these two bars twice]:

D Daug5 D6 D7

^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '

     e-----2-2-----2-2-----2-0---2-0---|-----2-2-----2-2-----2-2---2-3---|
     b-----3-3-----3-3-----3-----3-----|-----3-3-----3-3-----3-3---3-3---|
     g-----2-2-----2-2-----3-----3-----|-----4-4-----4-4-----5-5---5-5---|
     D-0---------------0---------------|-0---------------0---------------|
     A---------0-----------------------|---------0-----------------------|
     E---------------------------------|---------------------------------|

fine Loretta's fine Loretta's

D Db D

^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '

     e-2-------1-------2...........----|
     b-3-------2-------3...........----|
     g-2-------1-------2...........----|
     D-0-------0-------0...........----|
     A---------------------------------|
     E---------------------------------|

fine

This key to this song is getting the back-and-forth bass lines, and

following the tempo (which I have done my best to designate). I would

recommend using a flat pick and -- in general -- let it ring! Give a

listen to the CD (which I would highly recommend if you don't already have

it). This will help with the vocal line as it changes from chromatic keys

like G to F# and back -- really, this is what makes the song sound so cool.

Have fun! I welcome any comments or corrections:

robert_andersen@hp.com

Comments

Spotted a wrong chord, or know a capo position that sounds closer to the record?

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