This is tablature — fret positions rather than chord names. Wide lines scroll sideways on their own, so the page never does.
Song
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
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Date: Wed, 10 Nov 1993 21:04:43 -0700 (MST)
From: Paul Zimmerman
Subject: Kemp's Jig - Traditional (classical
To: jamesb@animal-farm.nevada.edu
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Content-Transfer-Encoding: 7BIT
Kemp's Jig
Traditional
d,P = half note, d.,P. = dotted half note, o = whole note, | = quarter note, |.
__ __
|. | | | |. | | | | | | | | D.
|-2-----3-2---0---|-----------------|-----------------|-----------------| |-3---------------|-3-----5-3---2---|-0-------0---2---|-3---------------| |-2---------------|-----------------|-----2-----------|-2---2-----------| |-0-------0-------|-4---------------|-----------------|-0---------0-----| |-------------4---|-2-------2---0---|-----------------|-----------------| |-----------------|-----------------|-3---2---0-------|-----------------|
P | | P | | | | P P P
_____ _____ _____
| | | | | | | | | | | | | | | | | | | D.
|-2-0-2-3-2---0---|-------0---------|-----------------|-----------------| |---------3-------|-3-2-3---3---2---|-0-------0---0-2-|-3---------------| |---------2---2---|-----------------|-----2-----2-----|-2---2-----------| |-0-------0-------|-----------------|-----------------|-0-------0-------| |-------------4---|-2-------2---0---|-----------------|-----------------| |-----------------|-----------------|-3---2---0-------|-----------------|
P | | P | | | | P P P
_ _
| | | | | | | | r | | | | | | | | |
|-2---5---2---5---|-2---5-3-2-------|-0---3---0---3---|-0---------------| |-----------------|-----------3-----|-----------------|-----3-1-0---2---| |-----------------|-----------------|-0-------0-------|-0---------------| |-0-------0-------|-0---------------|-----------------|-----------------| |-----------------|-----------------|-3-------3-------|-3-----------0---| |-----------------|-----------------|-----------------|---------3-------|
P P P r r P P P | |
_
| | | | | | | | | | | | | o
|-----------------|-----------------|-----------------|-----------------| |-3---------------|-3---------------|-0-------0---2---|-3---------------| |-----2-------2---|-----2-0-----2---|-0---2---0-------|-----2-----------| |-0-------4-------|-0-------4-------|-----------------|-0-------0-------| |---------5-------|---------5-------|-----------------|-----------------| |-----------------|-----------------|-3---2---0-------|-----------------|
| | | | P P | | P | | P
_ _____ _ _
| | | | | | | | | | | | | | | | | | | | |
|-2---5---2-3-5---|-2---5-3-2-0-----|-0---3---0-1-3---|-0---------------| |-----------------|-------------3---|-----------------|-----3-1-0---2---| |-----------------|-----------------|-0-------0-------|-0---------------| |-0-------0-------|-0---------------|-----------------|-----------------| |-----------------|-----------------|-3-------3-------|-3-----------0---| |-----------------|-----------------|-----------------|---------3-------|
P P P r r P P P | |
__ _____ __ _____
| | |.=| | | | | | |.=| | | | | | | | o
|-----------------|-----------------|-----------------|-----------------| |-3---------------|-3---0-----------|-0-------0---0-2-|-3---------------| |-----2------0-2--|---2---2----0-2--|-----2-----2-----|-----2-----------| |-0-------4-------|-0-------4-------|-----------------|-0-------0-------| |---------5-------|---------5-------|-----------------|-----------------| |-----------------|-----------------|-3---2---0-------|-----------------|
P P P P | | P | | P
\|||/
Peace, w - @ @ - w
Paul Z audsm@asuacad \\ \0/ //
\\__//
\ /
mwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwm | |
| | |___|
| "When the doors of perception are cleansed things | / _ \
| will appear as they truly are..." - William Blake | / / \ \
| | \_\ /_/
wmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmwmw /_| |_\
Comments
Spotted a wrong chord, or know a capo position that sounds closer to the record?
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