
This is tablature — fret positions rather than chord names. Wide lines scroll sideways on their own, so the page never does.
Song
Song: SOMEONE LIKE YOU
Artist: LIVING COLOUR
Album: TIME´S UP
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Transcribed by Emil Ortenmark, kfemil@telia.com
Standard tuning
Comments: Cool song. The bass pretty much stays the same throughout the
song except for a modulation. Towards the end though, all of a sudden,
two minor variations pop up. To make it easier to figure out I´ve
out the Rhy. Figs in relation to the lyrics.
Key:
/ = slide up
\ = slide down
b = bend (whole step)
b^ = bend (1/2 step)
b^^ = bend (1 1/2 steps)
pb = pre-bend
r = release-bend
t = tap with righthand finger
h = hammer-on
p = pull-off
~ = Vibrato
* = Natural Harmonic
#(#) = Trill
x = Dead notes (no pitch)
P.M. = Palm mute (- -> underneath indicates which notes)
Tp = Tap w\plectrum
Rhythm Fig. 1
G|----------------------------------------------| D|--------------2--1----------------2--1--------| A|--------1--4-----------4-------4--------------| E|--1/-2-------------------1/-2-----------------| G|-----------------------------------------------| D|--------------2--1-----------------------------| A|--------1--4--------4--3--2--2--1--------------| E|--1/-2-----------------------------4--2--------|
Rhythm Fig. 2
G|-----------------------------------------------| D|-----------------------------------------------| A|----------------4----------------------6-------| E|--6-6-6-6-6--6-----------6-6-6-6-6--6----------|
Rhythm Fig. 3
G|-----------------------------------------------| D|-----------------------------------------------| A|----------------2----------------------4-------| E|--4-4-4-4-4--4-----------4-4-4-4-4--4----------|
Rhythm Fig. 4
G|-----------------------------------------------| D|--------3--6--------5--8--------3--6-----------| A|--4--4--------6--6--------4--4--------6--------| E|-----------------------------------------------|
Rhythm Fig. 5
G|-----------------------------------------------| D|-----------------------------------------------| A|-----------------------------------------------| E|--2--2--1--1--0--0----0-2--2--1--1--0--0---6-6-| G|-----------------------------------------------| D|-----------------------------------------------| A|---------6----4-----------------6----4---------| E|--6-6-6--------------6-6-6-6-6-----------------| G|-----------------------------------------------| D|-----------------------------------------------| A|-----------------------------------------------| E|--2--2--1--1--0--0----0-2--2--1--1--0--0-----0-| G|-----------------------------------------------| D|--------------2--2--1--------------------------| A|--------1--4-----------4--2--2--1--------------| E|--2--2-----------------------------4--2--------|
Rhythm Fig. 6
G|-----------------------------------------------| D|----------------0----------------------2-------| A|--2-2-2-2-2--2-----------2-2-2-2-2--2----------| E|-----------------------------------------------|
Rhythm Fig. 7
G|-----------------------------------------------| D|-----------------------------------------------| A|--0-0-0-0-0--0--3--------0-0-0-0-0--0--5-------| E|-----------------------------------------------|
Rhythm Fig. 8a
G|-----------------------------------------------| D|--------------0---0----------------2---2-4-2-0-| A|-2-2-2-2-2--2-------4-2-2-2-2-2--2-------------| E|-----------------------------------------------|
Rhythm Fig. 8b
G|-----------------------------------------------| D|--------------0---4--------------2-2-4-2-0-----| A|-2-2-2-2-2--2-------2-2-2-2-2--2-----------2-4-| E|-----------------------------------------------|
Rhythm Fig. 9a
G|-----------------------------------------------| D|--------4--7--------6--9--------4--7-----------| A|--5--5--------7--7--------5--5--------7--------| E|-----------------------------------------------|
Rhythm Fig. 9b
G|-----------------------------------------------| D|--------4--7--------6--9--------4--7-----------| A|--5--5--------7--7--------5--5-----------------| E|-----------------------------------------------|
Comments
Spotted a wrong chord, or know a capo position that sounds closer to the record?
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