This is tablature — fret positions rather than chord names. Wide lines scroll sideways on their own, so the page never does.
C-type
I can see you comin' mama, yes, you're movin' on down the line.
[F-type] [C-type]
I can see you comin' mama, yes, you're movin' on down the line.
[G-type] [F-type] [C-type]
You done have left a thousand men, and they're all back there cryin'.
C-type
She's a high falootin' woman, and she just can't do no wrong.
F-type
She's a high falootin' woman, and she just can't do no wrong.
[G-type] [F-type] [C-type]
She's gonna' cry some day, and I know it can't be too long.
C D# F 2 times F G# Bb C D# F G-type F-type
then the song goes into C#-major
(play the same with the C#, F# and G# types)
C#.....
She's got hips like a honey, and, Lord, she can make 'em move.
She's got hips like a honey, and, Lord, she can make 'em move.
And she'll do anything to make you get in her groove.
Lord have mercy on you woman, and your wicked soul.
Lord have mercy on you woman, and your wicked soul.
'Cause that high falootin' woman, gonna' live til she's a hundred years old.
In the outro there's a D after the C# and then back to C#.
Comments
Spotted a wrong chord, or know a capo position that sounds closer to the record?
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