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This is tablature — fret positions rather than chord names. Wide lines scroll sideways on their own, so the page never does.
Song
downloaded from Sleep. Money. Food. at
http://pds.internal.enteract.com/~alucarde/Carcass
E-Mail:slayer@imsa.edu
"Embodiment" by Carcass (from "Heartwork")
(Tune down 2.5 steps to B)
Thanks are due to Mike Driscoll and Avian Hay for their work.
Corrections by: death8699@prodigy.net
Intro:
|-----------------|------------| |-----------------|------------| |-----------------|------------| |-2---------3-----|-2----------| |-2-----3---1---3-|-2----------| |-0-0-0-1-x---x-1-|-0----------| |--------------------|------------------| |--------------------|------------------| |--------------------|-------------4----| |---6-7h9~~-7-6h7p6--|---4-5-----2---2--| |-4----------------7-|-2-----0----------| |--------------------|------------------| |--------------------|------------------| |--------------------|-------------AH---| |-----------------6--|-------------4b~~-| |---6-7h9~~-7-6h7----|---4-5-----2------| |-4------------------|-2-----0----------| |--------------------|------------------|
Then repeat the above with the other guitar playing a harmony
(up a major third, with the exception of the C# and G# notes, which
are harmonised in minor thirds... is this clear?)
|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------| |---4-5---4-5---4-|-5-7-5-4---------|---2-4---2-4---4-| |-2-----2-----2---|---------7-5-4-2-|-1-----1-----1---| |-----------------|-----------------|-----------------|
|-----------------| Then again with a harmony, in perfect
|-----------------| fifths this time. The final measure
|-----------------| is different: just three G5 chords
|-----------------| to lead into the verse.
|---4-5---4-5---5-| |-3-----3-----3---|
Verse:
|-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-----------3-----|-----------3-----|-----------3-----|-----------------| |-2-----3---1---3-|-2-----3---1---3-|-6-----3---1---3-|-2---------------| |-0-0-0-1-x---x-1-|-0-0-0-1-x---x-1-|-4-0-0-1-x---x-1-|-0-0-000-0-0-000-|
Later on, the second riff after the intro (the palm-muted progression with
B A# G as its roots) is heard with the second guitar playing power-chords:
A#5 G5 the first time
A#5 C5 G5 A5 the second time, into the following:
"Raaargh! From your knees arise..." (corrected 2/12/01)
|----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |------------------9-10-9----------------14-12-11----------| |-----12--11--12----------12-11-9-----------------14-12-11-| |-0-0---0---0----0----------------12-11~-------------------| |---------------------------------------------------| |---------------------------------------------------| |---------------------------------------------------| |-----14-12-11--------------14-12-11----------------| |--------------14-12-11--------------14-12-11-------| |-12~-------------------10~-------------------12\sl-|
(corrected 2/12/01)
|---------------------------------------------| |---------------------------------------------| |---------------------------------------------| |-------2-3--------2-3--------2-3------2-3-5--| |-----5----------5----------5-----------------| |-3----------4----------1----------4----------|
(added 2/12/01) (ending: 2/12/01)
|---------------------| |---------------------| |---------------------| |---------------------| |-7----8----5----8----| |-5----6----3----6----| A5 A5 A5 A5
hold - - -] PM------|
The first versions of the leads were contributed by Avian:
(both transcriptions are fairly similar)
Michael Amott's:
|------------------------------------------- h ---------- h ------- h ------| |----/------------------------------------15---17-17---15---17---15---17-17-| |--12---------------------16--12--------------------------------------------| |---------14--12--14--12----------14----------------------------------------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| |--------------15-------- h -- p -- p --------------------------------------| |--15--17--19------19--17---19---17---15----17-15-----17-20-17-17-20-17-17--| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------|
/\/\ /\/\/\/\
|-----------------19--------------------------------------------19----------| |--20-17-20-17-17-----------------------------------------------------------| |------------------------16--14---------------------------------------------| |--------------------------------17--16--17--16-----17-16-14----------------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------|
Bill's solo:
|---------------------------------------------------------------------------| |----/\/---/\/--------------------------------------------------------------| |--17----12----16------------h--p--p----------------------------------------| |------------------18--17--17-18-17-15---18--17--15------------h--p---------| |----------------------------------------------------18--17--17-18-17-------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| |----------------------15----------------h--p-------------------------------| |--15--14-----15--18-------18--17--18--17-18-17---18-17-15-14---------------| |--------------------------------------------------------------16---13------| |---------------------------------------------------------------------------| |---------------------------------------------------------------h--p--------| |-------------------------------------------------12-13-15-13-12-13-12------| |------------------------------12-13-15-13-12-13-----------------------15---| |-------------13-15---11----15----------------------------------------------| |--15---13-15---------------------------------------------------------------| |---------------------------------------19-15-16-15-------------------------| |---------------------------------------------------18-16-15-16---/\/\------| |--12----------h--p------/\/\/\---------------------------------16----------| |-----15-13--12-13-12--10---------------------------------------------------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| |--22-19-20-19-------------------------------------------------h--h----| |--------------20-17---/\/\---------------------------h--h---12-13-15--| |--------------------19-------------h--h-----h--h---10-11-13-----------| |----------------------------------9-10-12-12-14-15--------------------| |----------------------------------------------------------------------| |----------------------------------------------------------------------| |----p--p-------------------------------------------| |--15-13-12---p--p----------------------------------| |-----------13-11-10---p--p-----p--p----/\/\/\/\/\--| |--------------------15-14-12-12-10-9--9------------| |---------------------------------------------------| |---------------------------------------------------|
Mike Driscoll offers the following as alternatives:
(b=bend, full-step normally)
Amott:
|-----------------------------------12----12----12-14-15-14-12h14p12----12-----| |-------------------------------15b----15----15----------------------15----15b-| |-14b---------------14b16r14-12------------------------------------------------| |-14b---14-12-14-12------------------------------------------------------------| |------------------------------------------------------------------------------| |------------------------------------------------------------------------------| |-12-15-12----12-15-12----12-15-15----12-15-12----12-15-12----15b-| |----------15----------15----------15----------15----------15-----| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |----------------------------------------------| |----------------------------------TH----------| |-14b--14-12-11-12-14-12-11-9-----(21)---------| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------|
Steer:
|-20~~~-------19~~----------------------------------------------------------------| |-------20~~~------21-20-20h21p20-18-21-20-18-------------------------------18~~~-| |---------------------------------------------20-19-19-20-19-17-16~~~-17-20-------| |---------------------------------------------------------------------------------| |---------------------------------------------------------------------------------| |---------------------------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-20-19-20-19-20-19-20-19-17-16----------------16h19p17--------| |-------------------------------18-15-17-17h18----------18~~---| |--------------------------------------------------------------| |--------------------------------------------------------------| |-------------------------------15-16-19-16-15h16p15----15-----------------| |-------15h16-15-16-15----15-16----------------------18----18-16-15h16p15--| etc. |-16-17----------------17--------------------------------------------------| |--------------------------------------------------------------------------| |--------------------------------------------------------------------------| |--------------------------------------------------------------------------|
Comments
Spotted a wrong chord, or know a capo position that sounds closer to the record?
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