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Chant for Eschaton 2000 cover art

Chant for Eschaton 2000

Behemoth
Tab
4.7(3)

This is tablature — fret positions rather than chord names. Wide lines scroll sideways on their own, so the page never does.

Song

#----------------------------------PLEASE NOTE---------------------------------#

#This file is the author's own work and represents their interpretation of the #

#song. You may only use this file for private study, scholarship, or research. #

#------------------------------------------------------------------------------#

CHANT FOR ESCHATON 2000

As recorded by Behemoth

(From the 1999 Album SATANICA)

Transcribed by Maciej Gruszka

Words by Krzysztof Azarewicz Music by Nergal as Behemoth

Arranged by Behemoth

Taken from www.behemoth.ht.st

4/4

Gtr I

TP

|-------------------------------------------------------------------------------------------|
|-----------------12-12-12-12-12-12-12-12-13-13-13-13-13-13-13-13-10-10-10-10-10-10-10-10---|
|-9-9-9-9-9-9-9-9---------------------------------------------------------------------------|
|-------------------------------------------------------------------------------------------|
|-------------------------------------------------------------------------------------------|
|-------------------------------------------------------------------------------------------|

Gtr II

~

|----------------------------------------|
|----------------------------------------|
|----------4--------5--------------------|
|-2-------------------------------[5]----|
|-2--------2--------3--------------------|
|-0--------------------------4-----------|

Gtr I

TP

|-----------------|-------------------------|
|-----------------|-12-12-12-12-12-12-12-12-|
|-9-9-9-9-9-9-9-9-|-------------------------|
|-----------------|-------------------------|
|-----------------|-------------------------|
|-----------------|-------------------------|
|-------------------------|--------------------------|
|-13-13-13-13-13-13-13-13-|-10-10-10-10-10-10-10-10--|
|-------------------------|--------------------------|
|-------------------------|--------------------------|
|-------------------------|--------------------------|
|-------------------------|--------------------------|

Gtr II

|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|------------------4----------------5-----------------------------|
|--2-------------------------------------------------------[5]----|
|--2---------------2----------------3-----------------------------|
|--0-0-0-0-0-0-0-0---0-0-0-0-0-0-0----0-0-0-0-0-0-0--4-0-0--------|

Gtrs I, II

|------------------------------------------------------8--8-|
|------------------------------------------------------9--9-|
|-----------------------------------------------------10-10-|
|-----------------------------------------------------10-10-|
|------------------------------------------------------8--8-|

|-<7>-<7>-<7>-<7>-<7>-<7>-<7>-<7>-<7>-<7>-<7>-<7>-<7>-------|

|---------------------------------|----------------------8--8----|
|---------------------------------|----------------------9--9----|
|---------------------------------|---------------------10-10----|
|---------------------------------|---------------------10-10----|
|---------------------------------|----------------------8--8----|

|-<7>-<7>-<7>-<7>-<7>-<7>-<7>-<7>-|-<7>-<7>-<7>-<7>-<7>----------|

Gtrs I, II

|---------------------------------|
|---------------------------------|
|---------------------------------|
|---------------------------------|
|---------------------------------|

|-<7>-<7>-<7>-<7>-<7>-<7>-<7>-<7>-|

|---------------------8--8-------------------------------------------------------------10--8-5-7|
|---------------------9--9-------------------------------------------------------------11--9-6-8|
|--------------------10-10-------------------------------------------------------------12-10-7-9|
|--------------------10-10-------------------------------------------------------------12-10-7-9|
|---------------------8--8-------------------------------------------------------------10--8-5-7|

|<7>-<7>-<7>-<7>-<7>-------<7>-<7>-<7>-<7>-<7>-<7>-<7>-<7>-<7>-<7>-<7>-<7>-<7>-<7>-<7>----------|

|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|---------------------------------2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2----|
|-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0------------------------------------|
|---------------------------------7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7----|
|--------------------------------------------------------------------|
|-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4------------------------------------|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|

--------------------------------------------------------------------------------

Tablature Legend

----------------

h - hammer-on

p - pull-off

b - bend

pb - pre-bend

r - bend release (if no number after the r, then release immediately)

/\ - slide into or out of (from/to "nowhere")

s - legato slide

S - shift slide

<n> - natural harmonic

[n] - artificial harmonic

n(n) - tapped harmonic

~ - vibrato

tr - trill

T - tap

TP - trem. picking

PM - palm muting

\n/ - tremolo bar dip; n = amount to dip

\n - tremolo bar down

n/ - tremolo bar up

/n\ - tremolo bar inverted dip

= - hold bend; also acts as connecting device for hammers/pulls

<> - volume swell (louder/softer)

x - on rhythm slash represents muted slash

o - on rhythm slash represents single note slash

Misc Legend

-----------

| - bar

|| - double bar

||o - repeat start

o|| - repeat end

*| - double bar (ending)

: - bar (freetime)

$ - Segno

& - Coda

Tempo markers - <E/E./Q/Q./H/H.> = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths

Comments

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